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Two cords, one on each side of the head below ear-height (13cm from the bottom hem), were sewn on, and were preserved as being tied underneath the chin. The left-hand cord is fully preserved, and 6cm long with a tufted end, that is covered with a little piece of green woven fabric (Løvlid, 2009; 48). It was braided with two pairs of olive-green, and two pairs of red-brown threads in a clockwise spiralling pattern (Løvlid, 2009; 47). See page 48 of for his braiding diagram.
Outside the academic year the program also offers extracurricular summer internships, which you can follow between the second and third semesters.
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In the third semester you will have the opportunity to follow a research internship at a university abroad, subject to the requirement that this internship is linked to your thesis and your study background.
The same fabric used on the collar, only with the stripes running horizontally, is used on this flap. On the top right-hand corner of the flap, a string threaded with a metallic-silver bead was attached, which may have acted as a button. Diagonal to this edge another cord, now broken, appears to have been sewn onto the shirt to act as a button loop, thereby keeping the flap closed when worn.
It is implied in Løvlid's summary of his upcoming thesis, that this striped fabric is made differently to the bands used to decorate the pants and over tunic of the outfit. While the latter bands are believed to have been woven on a rigid heddle (Løvlid, 2008; 3) it may be that this fabric was woven on a warp-weighted loom. However, this information is likely to become clearer once his thesis has been written.
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The collar of the Skjoldehamn tunic is now a maroon color, with paired-together yellow and green vertical stripes every 5cm. This fabric was then sewn to the tunic, with the seam covered with what appears to be a green braided cord. This cord, then runs along the left-hand side of a 14x14cm square flap which covers the keyhole neckline of the shirt. The collar is slightly higher at the back of the neck (5cm high) than at the front of the tunic (4cm).
Most of the projects are conducted in full or in part on site at our industrial partners. Most students (>90%) choose to conduct their thesis work on-site at one or more companies, while some students prefer to conduct their thesis work on campus. You will define the subject of your thesis yourself, in close collaboration with your mentor, who will also be supervising your research. Projects include a wide variety of subjects, and will require you to specialize further in one of the three key disciplines that contribute to the program. If you would like to get an impression of the work that OML students conduct during their Master Thesis project, please check , which contains all theses in full text.
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How to Write a Master's Thesis (with Pictures) - wikiHow
The concluding Master’s thesis project is both a research and a design assignment where you are expected to apply the theories and skills you have developed in the program. During the second and third semesters you will work on the preparations for your project. In the final semester you will focus totally on the internship, after which you will graduate with the international Master of Science (MSc) degree and the Dutch diploma of ‘ingenieur (ir.)’.
21/11/2017 · How to Write a Master's Thesis
The most striking feature of the under tunic, is its' standing collar in a 2/1 twill (or, three-shaft twill). Standing collars are style usually seen from the mid 13th century onwards ( Hügel, 2002; 16), but there is a shirt from Guddal, Norway, with a standing collar and an offset neck opening that has been dated to 1035- 1165 CE (Vedeler, 2007) (For clear colour photographs, search for numbers and in the database.) Further afield, there is an example from Turkey, with a late 11th century dating (Dawson, 2006; 53), which also appears to have a similar collar (Dawson, 2003; Dawson, 2006; Beatson, 2008). While these three finds are geographically distant, it may indicate that the idea is not unique to the later Middle Ages.
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Master students from outside the Netherlands please note:
You are admitted with an individual program. This means that you have to pass some extra undergraduate (minor/pre-Master) courses up to a maximum of 20 credit points. You are allowed to include these courses in the free electives' space of your Master program.
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The body of the tunic is a single piece of fabric, with no seams over the shoulders, however the fabric was not cut perfectly evenly, so it narrows slightly towards the bottom. Pieced-together gores are inserted into the side seams, with three triangles making one gore. The total width of the left-hand gore is 36cm, while the right-hand gore is closer to 49cm.
The sleeves are not well-preserved, with only the right hand sleeve, and the front of the left remaining. The sleeve appears to only taper at about the elbow. However, because of the patches and repairs to the tunic, it appears Gjessing was unable to determine if the armholes were shaped, or if gussets were inserted under the arms (See line drawings in Gjessing 1938; 38).
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The under tunic is woolen, and a yellow-brown color in a 2/2 twill. Unlike the hood, it does not appear that different colors were used for the warp and weft. However, the weft threads are thicker, and loosely spun compared to the warp. The garment has been heavily patched, however its' interesting features are still preserved.
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