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Literary Devices and Literary Terms - The Complete List
ALLITERATION: A literary device which creates interest by the recurrence of initial consonant sounds of different words within the same sentence, e.g.: the "s" and "h" sounds in: A city that is set on a hill cannot be hid (Matt. 5:14b).Shakespeare uses alliteration liberally, e.g.: "malicious mockery" (HAMLET, 1.2); "Through bog, through bush, through brake, through brief" (MND, 3.1) The repetition calls attention to the phrase and fixes it in the reader's mind, and so is useful for emphasis as well as art.
OXYMORON: A figure of speech that combines opposite qualities in a single term; e.g. open secret; original copy; definite maybe. Notice the oxymorons in A Midsummer Night's Dream, as Theseus speaks: "A tedious brief scene of young Pyramus And his love Thisby; very tragical mirth.' Merry and tragical! tedious and brief!That is hot ice and wondrous strange snow" (5.1).From the Greek: oxys- sharp, keen; moros- foolish.
The Penguin Dictionary of Literary Terms and Literary Theory
MOOD: The atmosphere that pervades a literary work with the intention of evoking a certain emotion or feeling from the audience. In drama, mood may be created by sets and music as well as words; in poetry and prose, mood may be created by a combination of such elements as SETTING, VOICE, TONE and THEME. The moods evoked by the more popular short stories of Edgar Allen Poe, for example, tend to be gloomy, horrific, and desperate.
AUGUSTINIAN TIME: Saint Augustine's idea of eternity, in which eternity and the afterlife are not an endless linear continuation--like a book with infinite pages or a story that never ends--but rather a state of timelessness, in which no time ever passes at all--a frozen snapshot of joy that lasts forever but which cannot undergo progression, alteration, or further development. Augustine inherited a tradition in Greek philosophy in which perfection would be an absolute. If something is perfect, by definition it cannot be improved further. Thus, any change that occur in a state of perfection would render that state imperfect. But if change happened to God or to heaven, wouldn't that force the already-perfect state to become imperfect?
Thesis Statements for a Literature Assignment
In Ancient Greek poetry and Latin poetry, lines followed certain metrical patterns, based on arrangements of heavy and light syllables. A heavy syllable was referred to as a longum and a light as a brevis (and in the modern day, reflecting the ancient terms, a longum is often called a "long syllable" and a brevis a "short syllable," potentially creating confusion between syllable length and vowel length).A syllable was considered heavy if it contained a long vowel or a diphthong (and was therefore "long by nature" it would be long no matter what) or if it contained a short vowel that was followed by more than one consonant ("long by position," long by virtue of its relationship to the consonants following).An example: Arma virumque cano: I sing of arms and of the man (Virgil, The Aeneid).
There are manydifferent kinds and theories of tragedy, starting with the Greeks andAristotle's definition in The Poetics, "the imitation of anaction that is serious and also, as having magnitude, complete initself...with incidents arousing pity and fear, wherewith to accomplishits catharsis of such emotions." In the Middle Ages, tragedy merelydepicted a decline from happiness to misery because of some flaw orerror of judgment.
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Use Literary Terms in Thesis With Care;
(1) The time-period when Norman conquerors ruled over England. During the Anglo-Norman period from 1066 until about 1200, Norman French was the language of literature and culture in England. (2) The dialect of Norman French that evolved in England after the Normans came with William the Conquer, fought the Battle of Hastings, and ruled over England afterward. Scholars typically abbreviate the phrase as "AN." A sample writer from the Anglo-Norman period was Marie de France.
Literary Devices and Literary Terms - The Complete …
The letter looks like a "P" in which the vertical line extends above the rest of the letter. Below is a visual example of the capital and lower-case thorn:
Literary Devices | Literary Terms
In modern publications, textual variants can involve both publication error and actual piracy, as was the case with American editions of J.R.R. Tolkien's Lord of the Rings. As Douglas Anderson notes, both the first British edition (published by George Allen and Unwin) and the first U.S. edition (from Houghton Mifflin) suffered from typical printers' errors and compositors' mistakes, especially well-meaning but inaccurate "corrections" of Tolkien's intentionally idiosyncratic spelling (Anderson xi). For example, Tolkien deliberately "misspelled" dwarfs as dwarves, nasturtiums as nasturtians, and elfin as elven in his texts, but over-eager editors altered these to match traditional usage. To capture the informal, lower-class aspects of Hobbit dialect, Tolkien intentionally used further instead of farther and substituted the phrase "try and say" for "try to say" in their speech (Anderson xi). Editors "corrected" such phrases against Tolkien's wishes without consulting him, Tolkien worked relentlessly to undo those alterations in later editions.
Literary Terms and Definitions A - Carson-Newman …
ANTICATHOLICISM: Literature or rhetoric created (often by Protestants) for the purpose of countering Catholic doctrine or depicting Catholicism in a negative light. In Reformation and Post-Reformation British literature, anticatholic motifs frequently appear after the Anglican Church splits from Rome under Henry VIII. Examples include Spenser's Faerie Queene, in which Catholic associations surround villains like Duessa and Archimago. A similar surge of anticatholic characterizations appear just before and during the Enlightenment period, notably in Gothic literature like Lewis' The Monk, in which convents and monasteries are depicted as hypocritical hives of sadism and superstition.
Literary Devices - Literary Terms, Techniques, and …
This terrible woman, the paragon of all women, whom every man simultaneously fears andseeks and for whom Medusa is the mask, is in fact the mother, i.e. the great GoddessMother whose rites were concealed by the Gorgon's face. Countless texts illustrateMedusa's affinity with the depths of the sea and the terrible power of nature, e.g. Hugo's(1864), Lautrémont's (1869)and Pierre Louÿs' (1896), but the most explicit example is probably thetext written by Freud in 1922: 'Medusa's Head'. He presents heras the supreme talisman who provides the image of castration -- associated in the child'smind with the discovery of maternal sexuality -- and its denial. The snakes are multiplephalluses and petrifaction represents the comforting erection.
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