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...then granular synthesis does this:
Granular Synthesis is a relatively new form of synthesis that breaks down sound into tiny fragments called grains. These grains can be manipulated, e.g. stretched or redistributed (such as playing a sound from the middle of the actual sound thus bypassing it's usual recognisable starting point).
With regard to sampling () you learned how to change the speed of an existing sound in an array, but this also resulted in a change of pitch. One way to decouple these parameters, is by using granular synthesis. The idea of granular synthesis is that a sound is sampled at the original speed, but it is played at a different speed from each sample point.
184.108.40.206 Theory of granular synthesis
Though playback is 'too fast' (or 'too slow'), it always begins at a point that corresponds to the initial speed. These individual chunks are called "grains"; their size is referred to either as "grain size" or "window size". These "grains" are so tiny and used in such large quantities, that they are not heard individually, but rather as a continuous whole. That's the magic behind granular synthesis.
The nice thing about granular synthesis is that, in addition to the ability to change pitch without affecting speed, you can change speed without affecting pitch:
Granular synthesis | Automata Theory | Nature
Using a digital signal processor controlled by amicrocomputer, Barry Truax implemented the technique with real-timesynthesis in 1986 and incorporated it within an interactivecompositional environment, the
That is, if a granularsynthesis texture is played backwards it will sound the same, just asif the direction of the individual grain is reversed (even if it isderived from natural sound), it sounds the same.
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Granular Synthesis: An Introduction | Keith …
The bottom diagram shows 3 grain streams with variabledelay time between grains, the sum of which resembles asynchronousgranular synthesis.
What is granular synthesis? - Audiofanzine
...und as pluck. 4.1 Implementation For the purposes of this paper we shall describe the implmentation of an interface to the FOF granular/formant synthesis algorithm (Clarke, 1992). Granular synthesis (=-=Roads, 1978-=-) is a technique for synthesizing sounds which is based on the idea of creating a complex sound by creating a random cloud of tiny sounds within given parameter ranges (see figure 1). In this case the...
Granular Synthesis: Books and Articles
... to sound (Gabor 1947), Xenakis being the first to develop a compositional theory for grains of sound (Xenakis 1992). Curtis Roads developed the first computer implementations of granular synthesis, (=-=Roads 1978-=-, 1996) and Barry Truax further suggested that self-organising systems may provide useful models for this synthesis method (Truax 1988). Following this suggestion Peter Bowcott proposed a compositiona...
granular synthesis | eric kuehnl
The notion of granular synthesis as a technique to create complex sounds for a computer music composition was first suggested by in 1971, who said that .
Granular Synthesis - Future Producers forums
The majority of software synthesisers use a synthesis method known as . Indeed, most of the hardware synthesisers that have shaped modern electronic music, such as the classic Moog, ARPS and Korgs all use this type. It is easy to learn, therefore the available sounds have become quite common and familiar in terms of today's electronic music repertoire.
Granular synthesis - Wikipedia, the free encyclopedia
Granular synthesis, however, makes it possible to manipulate speed, pitch and other characteristics of sound samples. This means that sounds can be manipulated in such a fashion as to create brand new and often incredible sounds using very basic and simple methods, offering artists further opportunities for sonic originality.
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