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Unlike his brothers, Canetti seemed incapable of earning a living.
Veza Canetti died (of an unidentified illness) in May 1963, a few months after Plath’s suicide, and Canetti, who had recently got to know Hughes, felt like his brother in misfortune.
Readers of and , Canetti's memoirs of the 1920s and '30s, will recall his vignettes of the celebrated satirical journalist Karl Kraus and the Russian short-story writer Isaac Babel ("he meant more to me than anyone else I met in Berlin"), his friendship with the great Viennese novelist Hermann Broch, and the brief encounter (in Zurich) with James Joyce (whose first words to the young Canetti were "I shave with a straight razor and no mirror").
The very first sentence one meets the main character, Gregor Samsa.
He is gradually becoming recognized also as a major poet, whose often opaque work shows the impact not only of Hölderlin and Rilke but also, as Canetti himself notes, of Yeats and Eliot, fusing them into a highly individual mode of utterance.
The final four pages, although seeming to be of no importance, serve to show the reader how the Samsa family changes as a result of the main character's, Gregor Samsa's, death.
In Canetti’s fiction and plays, everything is on the surface.
In the early l940s, Veza wrote two plays and a novel in English, but these seem to have been destroyed in a state of depression, and increasingly she confined her literary activities to translation (she translated Graham Greene’s into German) and supporting Canetti’ s work by taking care of his correspondence (he was a notoriously erratic letter-writer) and pressing him to get on with
It is tempting to imagine Canetti as a monster of egoism, and to demonize him in relation to Veza rather as Ted Hughes has been pilloried for his alleged selfishness towards Sylvia Plath.
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Sebald there was the even more mysterious Elias Canetti.
Juvenal Urbino, a highly esteemed and prosperous doctor, as an outside force that initiated change in the relationship between Florentino Ariza and Fermina Daza....
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The Metamorphosis also shows resemblance to some of Kafka's diary entries that depict him imagining his own extinction by dozens of elaborated methods....
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But as a general rule, Englishmen neither realized Canetti's importance at first glance nor managed to conceal their arrogance even when adopting an elaborate guise of congeniality.
The main characters include Gregor Samsa, Grete Samsa, Mr.
Herbert Read, Bertrand Russell, Ralph Vaughan Williams, Arthur Waley: each is forgettably evoked, with perhaps an extra touch of specificity for Waley, because he had read Canetti's novel in the original language.
This paper will show the importance of these introductory lines.
"My chief trait, much my strongest quality, which has never been compromised, was the insistence on myself." Canetti measured himself against other men according to the adamantine strength of his self-regard, so it can be imagined what he was like when he was measuring himself against women.
Lower bounds for Sampling Algorithms for Estimating the Average.
"There he sat, the terribly famous man among all those others, amidst whom there were certainly many bad poets whom he must despise from the depths of his being, and he gave no indication of the fact." Always keen to seem at home in British polite society, where zeal is rarely worn on the sleeve, Canetti found it politic to forget his earlier history as a Brechtian radical, but passages like this remind you that he was a born Vyshinskyite prosecutor, forever taking the ability of the accused to defend himself as proof of guilt, and the ostensible absence of a fault as a sure sign of its lurking presence.
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